- Live in Paris, Sleater-Kinney
- Villains, Queens of the Stone Age
- ¡Uno!, Green Day
- Ceremonials, Florence + the Machine
- Waves, Rachel Platten
- Undivided heart & soul, JD McPherson
- Challengers, the New Pornographers
- Fake sugar, Beth Ditto
- Woodstock, Portugal. The Man
- Wasteland, baby!, Hozier
- Gotta get over Greta, the Nields
- Cool, Colleen Green
- Lush, Snail Mail
- The shepherd's dog, Iron and Wine
- Salutations, Conor Oberst
- My mind makes noises, Pale Waves
- Life is good, Flogging Molly
- 'Saviors', Green Day
- Painted ruins, Grizzly Bear
- Everything now, Arcade Fire
- Electric trim, Lee Ranaldo
- Look alive, Guster
- Outside problems, Andrew Bird
- Varshons II, the Lemonheads
- The unheavenly creatures, Coheed and Cambria
- Nanobots, They Might Be Giants
- The underside of power, Algiers
- Music, songs from and inspired by the motion picture, Sia
- 1991, the year punk broke, DGC Records ; UME ; We Got Power Films ; director, Dave Markey
- Can't touch us now, Madness
- Seeker, Karen Kendrick
- Overexposed, Maroon 5
- Black Pumas
- Help us stranger, the Raconteurs
- What now, Sylvan Esso
- Witness
- Better Oblivion Community Center
- Weezer
- Spirit, Depeche Mode
- What a terrible world, what a beautiful world, the Decemberists
- Your band sucks, what I saw at indie rock's failed revolution (but can no longer hear), Jon Fine
- A flourish and a spoil, the Districts
- Cant wake up, Shakey Graves
- Americana, Neil Young with Crazy Horse
- 2 mics & the truth, unplugged & unhinged in America, Violent Femmes
- Observatory, Aeon Station
- High violet, the National
- All ashore, Punch Brothers
- Patch the sky, Bob Mould
- Noble beast, Andrew Bird