Portland Public Library

The artist's garden, American impressionism and the garden movement, edited by Anna O. Marley

Content
1
Mapped to
1
Label
The artist's garden, American impressionism and the garden movement, edited by Anna O. Marley
Language
eng
Bibliography note
Includes bibliographical references (pages 227-235) and index
Illustrations
illustrations
Index
index present
Literary form
non fiction
Main title
The artist's garden
Nature of contents
bibliography
Oclc number
874901875
Responsibility statement
edited by Anna O. Marley
Sub title
American impressionism and the garden movement
Summary
Inspired by European impressionist paintings of open countryside, private gardens, and urban parks, American artists working in the years between 1887 and 1920 turned their attentions to the new landscapes being created in the fast-changing cities and rapidly emerging suburbs of their own country. Up and down the eastern seaboard, a middle-class idyll was brought to life with the construction of railways, trams, and parkways that connected city centers to commuter suburbs, whose inhabitants increasingly turned to gardening as a leisure-and predominantly female-pursuit. The two arts of painting and garden design are closely related, landscape architect Beatrix Farrand wrote in 1907, except that the landscape gardener paints with actual color, line, and perspective to make a composition ... while the painter has but a flat surface on which to create his illusion. 'The artist's garden' tells the intertwined stories of American art and the new American garden movement in the years on either side of the turn of the twentieth century

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