Uproot : travels in twenty-first-century music and digital culture
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The work Uproot : travels in twenty-first-century music and digital culture represents a distinct intellectual or artistic creation found in Portland Public Library. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Uproot : travels in twenty-first-century music and digital culture
Resource Information
The work Uproot : travels in twenty-first-century music and digital culture represents a distinct intellectual or artistic creation found in Portland Public Library. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Uproot : travels in twenty-first-century music and digital culture
- Title remainder
- travels in twenty-first-century music and digital culture
- Statement of responsibility
- Jace Clayton
- Subject
-
- 24.45 sociology of music
- BIOGRAPHY & AUTOBIOGRAPHY -- Personal Memoirs
- Criticism, interpretation, etc
- Culture populaire -- 21e siècle
- Dance music -- Histoire et critique
- Dissemination of music
- Dissemination of music
- Dissémination de la musique
- Electronic dance music
- Electronic dance music -- History and criticism
- FL Studio (Computer file)
- FL Studio (Computer file)
- MUSIC -- History & Criticism
- 2000-2099
- Music and the Internet
- Musique et Internet
- Musique populaire -- 21e siècle -- Histoire et critique
- Musique populaire -- Aspect social
- Popular culture
- Popular culture -- 21st century
- Popular music
- Popular music -- 21st century -- History and criticism
- Popular music -- Production and direction
- Popular music -- Social aspects
- Popular music -- Social aspects
- SOCIAL SCIENCE -- Popular Culture
- Music and the Internet
- 24.45 sociology of music
- Language
- eng
- Summary
- In 2001 Jace Clayton was an unknown DJ who recorded a three-turntable, sixty-minute mix and put it online to share with friends. Within weeks, Gold Teeth Thief became an international calling card, whisking Clayton away to play a nightclub in Zagreb, a gallery in Osaka, a former brothel in Sao Paolo, and the American Museum of Natural History. Just as the music world made its fitful, uncertain transition from analog to digital, Clayton found himself on the front lines of creative upheavals of art production in the twenty-first century globalized world. Uproot is a guided tour of this newly-opened cultural space. With humor, insight, and expertise, Clayton illuminates the connections between a Congolese hotel band and the indie-rock scene, Mexican rodeo teens and Israeli techno, and Whitney Houston and the robotic voices is rural Moroccan song, and offers an unparalleled understanding of music in the digital age
- Cataloging source
- DLC
- Index
- no index present
- Literary form
- non fiction
Context
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