Portland Public Library

Henry Taylor, the only portrait I ever painted of my momma was stolen, with contributions by Zadie Smith, Sarah Lewis, Charles Gaines, and Rachel Kaadzi Ghansah

Label
Henry Taylor, the only portrait I ever painted of my momma was stolen, with contributions by Zadie Smith, Sarah Lewis, Charles Gaines, and Rachel Kaadzi Ghansah
Language
eng
Bibliography note
Includes bibliographical references (pages 306-308) and index
Illustrations
portraitsillustrations
Index
index present
Literary Form
non fiction
Main title
Henry Taylor
Nature of contents
bibliography
Oclc number
1029233395
Responsibility statement
with contributions by Zadie Smith, Sarah Lewis, Charles Gaines, and Rachel Kaadzi Ghansah
Sub title
the only portrait I ever painted of my momma was stolen
Summary
"Legendary artist Henry Taylor's first major monograph chronicles his life and work--the "visual equivalent of the blues." This definitive survey of over 200 of the painter's portraits and street scenes forms a personal and political portrait of society today. For three decades the iconic artist has worked his way through New York, Los Angeles, Europe, and Africa, documenting what he sees. In his circle are artists, musicians, writers, performers, as well as friends from his ten years as a psychiatric technician. It is the artist's empathetic eye that allows him to imagine his figures with authenticity and grace--not better than they are, or more glamorous--but part of a big, complicated world. Flat, brushy flows of color cast figures that often float in surreal landscapes abstracted from the barbeque in the park, or neighboring street. Suites of Taylor's paintings are reproduced alongside handwritten accounts of the sittings, offering an in-depth understanding of the artist's world. Contributions by Charles Gaines, Rachel Kaadzi Ghansah, Sarah Lewis, and Zadie Smith touch on the nature of truth, racial terror; memory and belonging in America. This definitive monograph celebrates Taylor's direct and revealing portraits, offering a tonic to a divisive cultural moment."--Publisher's description
resource.variantTitle
Only portrait I ever painted of my momma was stolen
Mapped to