Portland Public Library

The films of Kenneth Anger, conceived, directed, photographed and edited by Kenneth Anger ; The Film Foundation ; UCLA Film & Television Archive ; DVD producers, Ian Hendrie, Derrick Socchera, Volume one

Label
The films of Kenneth Anger, conceived, directed, photographed and edited by Kenneth Anger ; The Film Foundation ; UCLA Film & Television Archive ; DVD producers, Ian Hendrie, Derrick Socchera, Volume one
Language
eng
Characteristic
videorecording
Main title
The films of Kenneth Anger
Oclc number
82133403
Responsibility statement
conceived, directed, photographed and edited by Kenneth Anger ; The Film Foundation ; UCLA Film & Television Archive ; DVD producers, Ian Hendrie, Derrick Socchera
Runtime
88
Series statement
Films of Kenneth Anger, v. 1
Summary
Covering the 1st half of Anger's career, these works by the gay underground filmmaker - 5 short avant-garde films that have been meticulously restored, under Anger's supervision, and mastered in high definition - merge surrealism with homoeroticism and the occult along with elements of documentary, psychodrama, myth, ritual, and spectacleFireworks: Filmed in his parents' home in Beverly Hills, California over a long weekend while they were away, this landmark of both experimental and gay/lesbian filmmaking (the controversial nature of the work led to Anger being put on trial on obscenity charges) is a bizarre, disturbing dreamscape of violation, rape, and homoerotic sadomasochism. The wordless quasi autobiographical film opens with Anger, who made this film when he was 17, awaking from a troubled dream and leaving his house to go on a stroll during which he is confronted by a group of sailors on the street who proceed to beat, torture, and molest himPuce Moment: Described by Anger as an "afternoon of a film star in twenties' Hollywood," this film, a fragment from the never completed project entitled Puce Woman, reflects Anger's concerns with the myths and decline of Hollywood, the focus on a glamorous Hollywood starlet going through the ritual of assuming identity, dressing, primping, perfuming and preparing for the day, finally exiting her Hollywood Hills abode leading a pack of Russian wolfhounds on leashRabbit's moon: A fable of the unattainable (the moon), combining elements of Commedia dell'Arte with Japanese folklore and Aztec mythology, this lunar pantomime, which takes place in a dark fairytale forest with an all-mime cast, features Pierrot, who longs to join with the moon in which a rabbit lives, his futile attempts to jump up and catch it compounded by the appearance of the teasing, mincing Harlequin and Columbina, Pierrot's trickster wife and Harlequin's mistressEaux d'artifice: Part trance film, part landscape study, part abstraction, Eaux d'Artifice features a mysterious, masked woman, "the Water Witch," who secretively romps through a labyrinthine private garden of cascades, grottoes, and leaping fountains in an elaborate game of Hide and SeekInauguration of the pleasure dome: An orgiastic fantasia of Thelemic occult theories, pagan ritual, crazy costumes, hallucinatory superimposition, and sensual and infuriating imagery, this film - which takes its name from Samuel Taylor Coleridge's poem Kubla Khan - is about desire at its most hedonistic. Historical figures, biblical characters, various deities, gods and goddesses, and mythic personages gather in the pleasure dome to enact a phantasmagoric bacchanal
Table Of Contents
Special features: Optional screen specific audio commentaries for each film by Kenneth Anger; restoration demonstrations for Fireworks, Puce Moment, Eaux d'artifice, and Inauguration of the Pleasure Dome; outtakes from Rabbit's Moon
Technique
live action
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Films of Kenneth Anger. Volume I
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