The James T. Bialac Native American Art Collection : Selected Works

Resource Information

The work The James T. Bialac Native American Art Collection : Selected Works represents a distinct intellectual or artistic creation found in Portland Public Library. This resource is a combination of several types including: Work, Language Material, Books.

Label

The James T. Bialac Native American Art Collection : Selected Works

Title remainder

Selected Works

Statement of responsibility

Mark Andrew White, General Editor

Creator

• Fred Jones Jr. Museum of Art

Contributor

• Fred Jones Jr. Museum of Art
• White, Mark Andrew

Subject

• Art -- Private collections
• Art -- Private collections -- Oklahoma | Norman -- Catalogs
• Art autochtone -- Catalogues
• Bialac, James T
• Bialac, James T. -- Art collections -- Catalogs
• Catalog
• Catalogs
• Catalogs
• Catalogues
• Fred Jones Jr. Museum of Art
• Fred Jones Jr. Museum of Art -- Catalogs
• Indigenous art
• Indigenous art -- Catalogs
• Oklahoma -- Norman
• catalogs (documents)
• Art -- Collections privées -- Catalogues -- Oklahoma | Norman

Genre

• Catalogs
• Catalogues
• catalogs (documents)
• Catalog

Language

eng

Summary

"One of the most important collections of modern Native American art assembled by one individual, the James T. Bialac Native American Art Collection is an encyclopedic compilation of easel paintings and three-dimensional works. Showcased in this stunning catalogue, the collection comprises approximately four thousand items, including drawings, sculptures, prints, kachinas, jewelry, ceramics, rattles, baskets, and textiles. James T. Bialac began collecting art in the late 1950s, when he was a student at the University of Arizona School of Law. It was then that he purchased the first of what would develop into a collection of more than one thousand kachina dolls. In 1964 he acquired his first painting, Robert Chee's Moccasin Game, and he went on to expand his collection to reflect the diversity of Native American art forms. Inspired by his connections with other collectors, Bialac learned the importance of documenting, cataloging, and preserving his collection. In 2010 he bequeathed the collection to the University of Oklahoma, where the art will be displayed at the Fred Jones Jr. Museum of Art, as well as at other locations, including Bialac's native Arizona. The Bialac Collection represents indigenous cultures across North America, especially the Pueblos of the Southwest, Navajos, Hopis, and many of the tribes of the Great Plains. It encompasses such important and innovative artists as Fred Kabotie, Alfonso Roybal, Fritz Scholder, Joe Hilario Herrera, Allan Houser, Jerome Tiger, Tonita Peña, Helen Hardin, Pablita Velarde, George Morrison, Walter Richard "Dick" West, and Patrick DesJarlait, all of whose work is featured in this volume. Along with its rich sampling of works from the Bialac Collection, this catalogue offers informative essays by art historians, who draw on their areas of expertise to explain the significance of the artwork. The volume also features a foreword by David L. Boren, President of the University of Oklahoma, a preface by Ghislain d'Humières, Director of the Fred Jones Jr. Museum of Art, and an introduction by Mary Jo Watson, Director of the School of Art and Art History."--Jacket

Cataloging source

DLC

Illustrations

illustrations

Index

index present

Literary form

non fiction

Nature of contents

• bibliography
• catalogs