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John Singer Sargent watercolors
Resource Information
The work John Singer Sargent watercolors represents a distinct intellectual or artistic creation found in Portland Public Library. This resource is a combination of several types including: Work, Language Material, Books.

The Resource John Singer Sargent watercolors
Label
John Singer Sargent watercolors
Statement of responsibility
Erica E. Hirshler and Teresa A. Carbone ; introduction by Richard Ormond ; technical essay by Annette Manick and Antoinette Owen ; contributions by Karen A. Sherry, Janet Chen, and Connie H. Choi
Title variation
Watercolors
Creator
  • Sargent, John Singer, 1856-1925
Contributor
  • Brooklyn Museum
  • Carbone, Teresa A.
  • Museum of Fine Arts, Boston
  • Hirshler, Erica E.
  • Museum of Fine Arts, Houston
Artist
  • Sargent, John Singer, 1856-1925
Host institution
  • Brooklyn Museum
  • Museum of Fine Arts, Houston
  • Museum of Fine Arts, Boston
Writer of added commentary
  • Carbone, Teresa A.
  • Hirshler, Erica E.
Subject
  • Catalogues d'exposition
  • Exhibition catalogs
  • Exhibition catalogs
  • Exhibition catalogues
  • Exhibitions
  • Sargent, John Singer, 1856-1925
  • Sargent, John Singer, 1856-1925
  • Sargent, John Singer, 1856-1925 -- Themes, motives -- Exhibitions
  • Themes, motives
  • Watercolor painting, American
  • Watercolor painting, American -- 20th century -- Exhibitions
  • exhibition catalogs
  • 1900-1999
  • Aquarell
  • Aquarelle américaine -- 20e siècle -- Expositions
Genre
  • Expositions
  • exhibition catalogs
  • Exhibitions
  • Exhibition catalogues
  • Exhibition catalogs
  • Catalogues d'exposition
Language
eng
Summary
  • John Singer Sargent's approach to watercolor was unconventional. Disregarding contemporary aesthetic standards that called for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes, loosely defined forms, and unexpected vantage points startled critics and fellow practitioners alike. One reviewer of an exhibition in London proclaimed him "an eagle in a dove-cote"; another called his work "swagger" watercolors. For Sargent, watercolors were not so much about swagger as about a renewed and liberated approach to painting. His vision became more personal and his works began to interconnect as he considered the way one image--often of friends or favorite places--enhanced another
  • Sargent chose to participate in only two major watercolor exhibitions in the United States during his lifetime, both at the urging of his friend and co-exhibitor Edward Darley Boit. The first, held in New York and Boston in 1909, was a sensation, and its entire contents was purchased by the Brooklyn Museum. The paintings exhibited in the equally acclaimed second show, in 1912, were scooped up by the Museum of Fine Arts, Boston. John Singer Sargent Watercolors reunites nearly one hundred works from these two collections for the first time. Together they trace Sargent's path across Europe and the Middle East as he explored the subjects and themes that habitually attracted his attention: sunlight on stone, reclining figures, patterns of light and shadow. Lavishly illustrated and enhanced by biographical and technical essays, this publication introduces readers to the full sweep of Sargent's accomplishments in this medium, in works that delight the eye as well as challenge our understanding of this prodigiously gifted artist
Biography type
contains biographical information
Cataloging source
DLC
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • bibliography
  • catalogs

Context

Context of John Singer Sargent watercolors

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  • John Singer Sargent watercolors, Erica E. Hirshler and Teresa A. Carbone ; introduction by Richard Ormond ; technical essay by Annette Manick and Antoinette Owen ; contributions by Karen A. Sherry, Janet Chen, and Connie H. Choi
  • John Singer Sargent watercolors, Erica E. Hirshler and Teresa A. Carbone ; introduction by Richard Ormond ; technical essay by Annette Manick and Antoinette Owen ; contributions by Karen A. Sherry, Janet Chen, and Connie H. Choi

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