Portland Public Library

The pervert's guide to ideology, British Film Institute and Film4 present ; in association with Rooks Nest Entertainment and with the participation of Bord Scannán na hÉireann/The Irish Film Board ; a P Guide production in association with Blinder Films ; a film by Sophie Fiennes ; executive producers, Katherine Butler, Tabitha Jackson, Shani Hinton ; executive producers, Michael Sackler, Julia Godzinskaya ; producers, James Wilson, Martin Rosenbaum, Katie Holly, Sophie Fiennes ; directed by Sophie Fiennes

Label
The pervert's guide to ideology, British Film Institute and Film4 present ; in association with Rooks Nest Entertainment and with the participation of Bord Scannán na hÉireann/The Irish Film Board ; a P Guide production in association with Blinder Films ; a film by Sophie Fiennes ; executive producers, Katherine Butler, Tabitha Jackson, Shani Hinton ; executive producers, Michael Sackler, Julia Godzinskaya ; producers, James Wilson, Martin Rosenbaum, Katie Holly, Sophie Fiennes ; directed by Sophie Fiennes
Language
eng
Characteristic
videorecording
Intended audience
Not rated
Main title
The pervert's guide to ideology
Oclc number
862841058
Responsibility statement
British Film Institute and Film4 present ; in association with Rooks Nest Entertainment and with the participation of Bord Scannán na hÉireann/The Irish Film Board ; a P Guide production in association with Blinder Films ; a film by Sophie Fiennes ; executive producers, Katherine Butler, Tabitha Jackson, Shani Hinton ; executive producers, Michael Sackler, Julia Godzinskaya ; producers, James Wilson, Martin Rosenbaum, Katie Holly, Sophie Fiennes ; directed by Sophie Fiennes
Runtime
136
Summary
Slovene philosopher and psychoanalyst Slavoj Žižek explores and exposes how the movies we view reinforce prevailing ideologies, shaping both what we believe and how we behave
Table Of Contents
Critique-of-ideology glasses (They live (John Carpenter, 1988)) -- Climbing mountains (The sound of music (Robert Wise, 1965)) -- Kinder eggs & Coca Cola -- Perverse universal fraternity (Tokyo Olympiad (Kon Ichikawa, 1964), A clockwork orange (Stanley Kubrick, 1971)) -- Cynical ideology (West Side story (Robert Wise & Jerome Robbins, 1961)) -- Fantasies of victimhood (Taxi driver (Martin Scorsese, 1976), The searchers (John Ford, 1956)) -- Trading all fears for one fear alone (Jaws (Steven Spielberg, 1975), Triumph of the will (Leni Riefenstahl, 1935)) -- The abyss of suspicion (The eternal Jew (Fritz Hippler, 1940), Cabaret (Bob Fosse, 1972)) -- Ultimate consumerism (I am legend (Francis Lawrence, 2007)) -- Illusion of eternal love (Titanic (James Cameron, 1997), Oratorio for Prague (Jan Nemec, 1968), The fall of Berlin (Mikhail Chiareli, 1950)) -- Obscene rituals (Full metal jacket (Stanley Kubrick, 1987), M*A*S*H (Robert Altman, 1970), If-- (Lindsay Anderson, 1968)) -- Lies of social order (The dark knight (Christopher Nolan, 2008)) -- The big other (Loves of a blonde (Milos Forman, 1965), The fireman's ball (Milos Forman, 1967), Brief encounter (David Lean, 1945))-- Bureaucracy and Christianity (Brazil (Terry Gilliam, 1985), The last temptation of Christ (Martin Scorsese, 1988)) -- Dreams gone wrong (Seconds (John Frankenheimer, 1966), Zabriskie Point (Michelangelo Antonioni, 1970))
Technique
live action
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