Sounding the gallery : video and the rise of art-music
Resource Information
The work Sounding the gallery : video and the rise of art-music represents a distinct intellectual or artistic creation found in Portland Public Library. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Sounding the gallery : video and the rise of art-music
Resource Information
The work Sounding the gallery : video and the rise of art-music represents a distinct intellectual or artistic creation found in Portland Public Library. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Sounding the gallery : video and the rise of art-music
- Title remainder
- video and the rise of art-music
- Statement of responsibility
- Holly Rogers
- Language
- eng
- Summary
- Becoming commercially available in the mid 1960s, video quickly became integral to the intense experimentalism of New York City's music and art scenes. The medium was able to record image and sound at the same time, which allowed composers to visualize their music and artists to sound their images. But as well as creating unprecedented forms of audiovisuality, video work also produced interactive spaces that questioned conventional habits of music and art consumption. This book explores the first decade of creative video work, focusing on the ways in which video technology was used to dissolve the boundaries between art and music [Publisher description]
- Cataloging source
- DLC
- Illustrations
- illustrations
- Index
- index present
- Literary form
- non fiction
- Nature of contents
- bibliography
- Series statement
- The Oxford music/media series
Context
Context of Sounding the gallery : video and the rise of art-musicWork of
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