Sonia Delaunay
Resource Information
The work Sonia Delaunay represents a distinct intellectual or artistic creation found in Portland Public Library. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Sonia Delaunay
Resource Information
The work Sonia Delaunay represents a distinct intellectual or artistic creation found in Portland Public Library. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Sonia Delaunay
- Subject
-
- 21.86 textile art
- Art, Abstract -- Exhibitions
- Catalogues d'exposition
- Delaunay, Sonia
- Delaunay, Sonia
- Delaunay, Sonia -- Criticism and interpretation
- Delaunay, Sonia -- Exhibitions
- Delaunay, Sonia, 1885-1979
- Delaunay, Sonia, 1885-1979
- Delaunay, Sonia, 1885-1979
- Exhibition catalogs
- Exhibition catalogs
- Exhibition catalogues
- 21.02 history of painting
- France
- Textile crafts
- Textile crafts -- France -- Exhibitions
- Textile fabrics -- Design -- France -- Exhibitions
- exhibition catalogs
- Fashion design -- France -- Exhibitions
- Language
-
- eng
- fre
- eng
- Summary
- Sonia Delaunay (1885 - 1979) is one of the most important female artists of the early twentieth century, whose contribution to the European avant-garde was fundamental. Russian-born, she moved to Paris in 1906 where she studied at the Academie de la Palette. Her early work was influenced by the bold Fauvist paintings of Matisse, Gauguin and Van Gogh among others. Shifting her interest to abstraction, she celebrated the modern world and urban life, exploring ideas of colour theory together with her husband Robert Delaunay. She also collaborated with artists and poets such as Guillaume Apollinaire and Blaise Cendrars with whom she created the acclaimed book Prose on the Transsiberian Railway and of Little Jehanne of France. After spending time in Spain and Portugal during the First World War, Delaunay returned to Paris in the 1920s where she translated her experiments in painting into the realm of fashion. She collaborated with the Metz & Co textile department in Amsterdam and Liberty in London and also produced individual items of clothing under commission. Her interest in fashion expanded into theatre and cinema, for which she created costumes and designs for film sets. During the Second World War and soon after, she participated in the creation of the Salon des Realites Nouvelles (1939) and developed her interest in different media, creating mosaics, tapestries and lithographs. In the same period, her paintings and gouaches evoked a renewed interest in abstraction and colour, marking her seminal role in the development of postwar abstract and applied art
- Cataloging source
- CDX
- Illustrations
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- illustrations
- portraits
- Index
- no index present
- Language note
-
- English translations concern pages 18, 38, 70, 88, 112, 156, 210, 242 and 270
- In English; some essays translated from French
- Literary form
- non fiction
- Nature of contents
-
- bibliography
- catalogs
Context
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