Portland Public Library

Long pigs, two desperate filmmakers began a documentary about a cannibalistic serial killer - what follows is their actual footage, Jordan Entertainment presents, in association with MB Visual Media ; a Clowns After Midnight Production ; a film by Chris Power and Nathan Hynes ; executive producers David Fruitman, Philip Brown and Bryan Woodruff ; co-producer Alex Jordan ; written, produced and directed by Chris Power and Nathan Hynes

Label
Long pigs, two desperate filmmakers began a documentary about a cannibalistic serial killer - what follows is their actual footage, Jordan Entertainment presents, in association with MB Visual Media ; a Clowns After Midnight Production ; a film by Chris Power and Nathan Hynes ; executive producers David Fruitman, Philip Brown and Bryan Woodruff ; co-producer Alex Jordan ; written, produced and directed by Chris Power and Nathan Hynes
Language
eng
Characteristic
videorecording
Intended audience
MPAA Rating: Unrated: Strong Violence, Nudity and Sexual Situations
Main title
Long pigs
Oclc number
643552325
Responsibility statement
Jordan Entertainment presents, in association with MB Visual Media ; a Clowns After Midnight Production ; a film by Chris Power and Nathan Hynes ; executive producers David Fruitman, Philip Brown and Bryan Woodruff ; co-producer Alex Jordan ; written, produced and directed by Chris Power and Nathan Hynes
Runtime
81
Sub title
two desperate filmmakers began a documentary about a cannibalistic serial killer - what follows is their actual footage
Summary
"Anthony McAlistar is a jovial fellow who just happens to give Hannibal Lecter a run for his money in the cannibal serial-killer territory. Introduced preparing his own unsavory type of meal, Anthony regales the camera with philosophical anecdotes, aware that, as the subject of the documentary being shot by a pair of young filmmakers, he's the star of the program. The satire grows more pungent as the story progresses and the line between comedy and horror becomes thinner, calling into question not just Anthony's horrific actions but the role the camera plays in them. When does the media's fascination with watching become dangerous? And, when it comes to human lives, where is the line drawn between documentary and subject?"--Publisher
Technique
live action
Mapped to