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New objectivity : modern German art in the Weimar Republic, 1919-1933
Resource Information
The work New objectivity : modern German art in the Weimar Republic, 1919-1933 represents a distinct intellectual or artistic creation found in Portland Public Library. This resource is a combination of several types including: Work, Language Material, Books.

The Resource New objectivity : modern German art in the Weimar Republic, 1919-1933
Label
New objectivity : modern German art in the Weimar Republic, 1919-1933
Title remainder
modern German art in the Weimar Republic, 1919-1933
Statement of responsibility
Stephanie Barron and Sabine Eckmann ; With contributions by Graham Bader, Nana Bahlmann, Stephanie Barron, Lauren Bergman, Sabine Eckmann, Daniela Fabricius, Christian Fuhrmeister, Keith Holz, Andreas Huyssen, Megan R. Luke, Maria Makela, Olaf Peters, Lynette Roth, Pepper Stetler, James A. Van Dyke, Matthew S. Witkovsky
Contributor
  • Fondazione Musei civici di Venezia
  • Los Angeles County Museum of Art
  • Barron, Stephanie, 1950-
  • Eckmann, Sabine, (Sabine M)
Subject
  • 1900-1999
  • 20.70 European art
  • Art allemand -- 20e siècle -- Expositions
  • Art, German
  • Art, German -- 20th century -- Exhibitions
  • Art, German -- 20th century -- Exhibitions
  • Catalogues d'exposition
  • Exhibition catalogs
  • Exhibition catalogs
  • Exhibition catalogues
  • Germany
  • Neue Sachlichkeit
  • Neue Sachlichkeit (Art)
  • Neue Sachlichkeit (Art) -- Allemagne -- Expositions
  • Neue Sachlichkeit (Art) -- Germany -- Exhibitions
  • Neue Sachlichkeit (Art) -- Germany -- Exhibitions
  • exhibition catalogs
Genre
  • Catalogues d'exposition
  • Exhibition catalogs
  • Exhibition catalogues
  • Exhibitions
  • Expositions
  • exhibition catalogs
Language
eng
Summary
This beautifully illustrated book brings together a dazzling variety of works and provides fresh insight into artistic expressions of life in the Weimar Republic. Between the end of World War I and the Nazi rise to power, Germany's Weimar Republic (1919-1933) was a thriving laboratory of art and culture. As the country experienced unprecedented and often tumultuous social, economic, and political upheaval, many artists rejected Expressionism in favor of a new realism to capture this emerging society. Dubbed Neue Sachlichkeit--New Objectivity--its adherents turned a cold eye on the new Germany: its desperate prostitutes and crippled war veterans, its alienated urban landscapes, its decadent underworld where anything was available for a price. Showcasing 150 works by more than 50 artists, this book reflects the full diversity and strategies of New Objectivity. Organized around five thematic sections, it mixes photography, works on paper, and painting to bring them into a visual dialogue. Artists such as Otto Dix, George Grosz, and Max Beckmann are included alongside Christian Schad, Alexander Kanoldt, Georg Schrimpf, August Sander, Lotte Jacobi, and Aenne Biermann. Also included are essays that examine the politics of New Objectivity and its legacy; its relation to international art movements of the time; the context of gender roles and sexuality; and the influence of new technology and consumer goods
Cataloging source
DLC
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
bibliography

Context

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  • New objectivity : modern German art in the Weimar Republic, 1919-1933, Stephanie Barron and Sabine Eckmann ; With contributions by Graham Bader, Nana Bahlmann, Stephanie Barron, Lauren Bergman, Sabine Eckmann, Daniela Fabricius, Christian Fuhrmeister, Keith Holz, Andreas Huyssen, Megan R. Luke, Maria Makela, Olaf Peters, Lynette Roth, Pepper Stetler, James A. Van Dyke, Matthew S. Witkovsky

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