Portland Public Library

Max Protetch Gallery 1969-2009., contributors, Fred Bernstein, Martin Hartung, Irene Hofmann, Stuart Krimko, James Wines

Type
Label
Max Protetch Gallery 1969-2009., contributors, Fred Bernstein, Martin Hartung, Irene Hofmann, Stuart Krimko, James Wines
Language
eng
Bibliography note
Includes bibliographical references
Illustrations
illustrations
Index
no index present
Literary Form
non fiction
Main title
Max Protetch Gallery 1969-2009.
Nature of contents
bibliography
Oclc number
1371243628
Responsibility statement
contributors, Fred Bernstein, Martin Hartung, Irene Hofmann, Stuart Krimko, James Wines
Summary
From 1969 until 2009, Max Protetch's gallery, first in Washington, DC, and then later in New York City was a vibrant gathering place for art, architecture, politics and ideas. Richly illustrated with previously unpublished materials from the gallery's archive, this volume provides insight into the early careers of some of contemporary art's most enduring figures. Protetch was an advocate for Minimalism and Conceptual and Pop art in the 1970s; architecture in the late '70s and 1980s; and beginning in the 1990s, a broad range of contemporary art, including from China. Protetch advocated for artists such as Vito Acconci, Jo Baer, Robert Barry, Donald Judd, Dan Flavin, On Kawara, Robert Mangold, Sol LeWitt, Dan Graham and Lawrence Weiner; and architects such as Michael Graves, Tadao Ando, Peter Eisenmann, Frank Gehry, Zaha Hadid, Rem Koolhaas, Daniel Libeskind, Samuel Mockbee, Aldo Rossi and Robert Venturi
Table Of Contents
Introduction -- Chronology / text by Irene Hofmann; with recollections by Max Protectch -- Exhibition history -- Max Protectch : on the cutting edge / James Wines -- If these walls could talk / Fred Bernstein -- Politics, social justice, and Max Protectch Gallery / Irene Hofmann -- The timelessness of timeliness / Stuart Krimko -- Max Protetch Gallery staff
Target audience
adult
Contributor
Genre
Subject
Content
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