Portland Public Library

Aboriginal music in contemporary Canada, echoes and exchanges, edited by Anna Hoefnagels and Beverley Diamond

Label
Aboriginal music in contemporary Canada, echoes and exchanges, edited by Anna Hoefnagels and Beverley Diamond
Language
eng
Bibliography note
Includes bibliographical references (pages 431-468), discography (pages 471-473) , and index
resource.biographical
contains biographical information
Illustrations
illustrations
Index
index present
Literary Form
non fiction
Main title
Aboriginal music in contemporary Canada
Nature of contents
bibliographydiscographies
Oclc number
751635899
Responsibility statement
edited by Anna Hoefnagels and Beverley Diamond
Series statement
McGill-Queen's native and northern series, 66
Sub title
echoes and exchanges
Summary
First Nations, Inuit, and Metis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Contemporary Canada narrates a story of resistance and renewal, struggle and success, as indigenous musicians in Canada negotiate who they are and who they want to be. Comprised of essays, interviews, and personal reflections by Aboriginal and non-Aboriginal musicians and scholars alike, the collection highlights themes of innovation, teaching and transmission, and cultural interaction. Individual chapters discuss musical genres ranging from popular styles including country and pop to nation-specific and intertribal practices such as powwows, as well as hybrid performances that incorporate music with theatre and dance. As a whole, this collection demonstrates how music is a powerful tool for articulating the social challenges faced by Aboriginal communities and an effective way to affirm indigenous strength and pride. Juxtaposing scholarly study with artistic practice, Aboriginal Music in Contemporary Canada celebrates and critically engages Canada's vibrant Aboriginal music scene
Content
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