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The Resource Fotoclubismo : Brazilian modernist photography and the Foto-Cine Clube Bandeirante, 1946-1964, [edited by] Sarah Hermanson Meister

Fotoclubismo : Brazilian modernist photography and the Foto-Cine Clube Bandeirante, 1946-1964, [edited by] Sarah Hermanson Meister

Editor
Contributor
Summary
Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, Fotoclubismo presents the groundbreaking creative achievements of São Paulo's Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially unknown today to European and North American audiences. The vast majority of FCCB members pursued photography outside of their day jobs as lawyers, businessmen, accountants, journalists, engineers, biologists and bankers, but they were nonetheless quite serious about their artistic ambition. Their radical experimentations with process and form and their determination to distill inventive compositions from everyday life contributed to their esteemed reputation within an active international postwar scene -- a status that has been all but forgotten
Language
eng
Work
Publication
Extent
184 pages
Note
Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, Fotoclubismo presents the groundbreaking creative achievements of São Paulo's Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially unknown today to European and North American audiences. The vast majority of FCCB members pursued photography outside of their day jobs as lawyers, businessmen, accountants, journalists, engineers, biologists and bankers, but they were nonetheless quite serious about their artistic ambition. Their radical experimentations with process and form and their determination to distill inventive compositions from everyday life contributed to their esteemed reputation within an active international postwar scene -- a status that has been all but forgotten
Contents
  • II
  • Solitude ; Gertrudes Altschul ; Shadows
  • III
  • Daily life ; Thomaz Farkas ; Nocturnes
  • IV
  • Experimental processes ; Geraldo de Barros ; Texture and shape
  • V
  • Rain ; German Lorca ; Simplicity
  • VI
  • "Table-tops" ; Marcel Giró ; Movement
  • Foreword
  • Boletim foto-cine : an annotated and illustrated chronology
  • Liz Donato
  • FCCB members in Fotoclubismo
  • Glenn D. Lowry
  • Acknowledgments
  • Excelente, bom, sofrível, pobre : judging postwar photography in Brazil
  • Sarah Hermanson Meister
  • Plates
  • I
  • Architecture ; José Yalenti ; Abstractions from nature
Isbn
9781633450844
Instance
Label
Fotoclubismo : Brazilian modernist photography and the Foto-Cine Clube Bandeirante, 1946-1964
Title
Fotoclubismo
Title remainder
Brazilian modernist photography and the Foto-Cine Clube Bandeirante, 1946-1964
Statement of responsibility
[edited by] Sarah Hermanson Meister
Title variation
Brazilian modernist photography and the Foto-Cine Clube Bandeirante, 1946-1964
Contributor
Editor
Host institution
Subject
Genre
Language
eng
Summary
Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, Fotoclubismo presents the groundbreaking creative achievements of São Paulo's Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially unknown today to European and North American audiences. The vast majority of FCCB members pursued photography outside of their day jobs as lawyers, businessmen, accountants, journalists, engineers, biologists and bankers, but they were nonetheless quite serious about their artistic ambition. Their radical experimentations with process and form and their determination to distill inventive compositions from everyday life contributed to their esteemed reputation within an active international postwar scene -- a status that has been all but forgotten
Biography type
contains biographical information
Cataloging source
UKMGB
Illustrations
illustrations
Index
no index present
Literary form
non fiction
Nature of contents
  • bibliography
  • catalogs
http://library.link/vocab/relatedWorkOrContributorName
  • Meister, Sarah Hermanson
  • Donato, Liz
  • Museum of Modern Art (New York, N.Y.)
http://library.link/vocab/subjectName
  • Foto Cine Clube Bandeirante (São Paulo, Brazil)
  • Museu de Arte de São Paulo Assis Chateaubriand
  • Photography, Artistic
  • Photography
  • Modernism (Aesthetics)
  • Photographie artistique
  • Modernisme (Esthétique)
  • Photography, Artistic
  • Modernism (Aesthetics)
  • Photography
  • Photography, Artistic
  • Exhibitions
  • Brazil
http://bibfra.me/vocab/relation/writerofchronology
FP2-JmiNlmA
Label
Fotoclubismo : Brazilian modernist photography and the Foto-Cine Clube Bandeirante, 1946-1964, [edited by] Sarah Hermanson Meister
Instantiates
Publication
Distribution
Manufacture
Copyright
Note
Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, Fotoclubismo presents the groundbreaking creative achievements of São Paulo's Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially unknown today to European and North American audiences. The vast majority of FCCB members pursued photography outside of their day jobs as lawyers, businessmen, accountants, journalists, engineers, biologists and bankers, but they were nonetheless quite serious about their artistic ambition. Their radical experimentations with process and form and their determination to distill inventive compositions from everyday life contributed to their esteemed reputation within an active international postwar scene -- a status that has been all but forgotten
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
  • text
  • still image
Content type code
  • txt
  • sti
Content type MARC source
  • rdacontent
  • rdacontent
Contents
  • II
  • Solitude ; Gertrudes Altschul ; Shadows
  • III
  • Daily life ; Thomaz Farkas ; Nocturnes
  • IV
  • Experimental processes ; Geraldo de Barros ; Texture and shape
  • V
  • Rain ; German Lorca ; Simplicity
  • VI
  • "Table-tops" ; Marcel Giró ; Movement
  • Foreword
  • Boletim foto-cine : an annotated and illustrated chronology
  • Liz Donato
  • FCCB members in Fotoclubismo
  • Glenn D. Lowry
  • Acknowledgments
  • Excelente, bom, sofrível, pobre : judging postwar photography in Brazil
  • Sarah Hermanson Meister
  • Plates
  • I
  • Architecture ; José Yalenti ; Abstractions from nature
Control code
1233300502
Dimensions
28 cm
Extent
184 pages
Isbn
9781633450844
Lccn
2020951909
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Note
WorldCat record variable field(s) change: 655, 740
Other physical details
illustrations (some color)
System control number
(OCoLC)1233300502
Label
Fotoclubismo : Brazilian modernist photography and the Foto-Cine Clube Bandeirante, 1946-1964, [edited by] Sarah Hermanson Meister
Publication
Distribution
Manufacture
Copyright
Note
Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, Fotoclubismo presents the groundbreaking creative achievements of São Paulo's Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially unknown today to European and North American audiences. The vast majority of FCCB members pursued photography outside of their day jobs as lawyers, businessmen, accountants, journalists, engineers, biologists and bankers, but they were nonetheless quite serious about their artistic ambition. Their radical experimentations with process and form and their determination to distill inventive compositions from everyday life contributed to their esteemed reputation within an active international postwar scene -- a status that has been all but forgotten
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
  • text
  • still image
Content type code
  • txt
  • sti
Content type MARC source
  • rdacontent
  • rdacontent
Contents
  • II
  • Solitude ; Gertrudes Altschul ; Shadows
  • III
  • Daily life ; Thomaz Farkas ; Nocturnes
  • IV
  • Experimental processes ; Geraldo de Barros ; Texture and shape
  • V
  • Rain ; German Lorca ; Simplicity
  • VI
  • "Table-tops" ; Marcel Giró ; Movement
  • Foreword
  • Boletim foto-cine : an annotated and illustrated chronology
  • Liz Donato
  • FCCB members in Fotoclubismo
  • Glenn D. Lowry
  • Acknowledgments
  • Excelente, bom, sofrível, pobre : judging postwar photography in Brazil
  • Sarah Hermanson Meister
  • Plates
  • I
  • Architecture ; José Yalenti ; Abstractions from nature
Control code
1233300502
Dimensions
28 cm
Extent
184 pages
Isbn
9781633450844
Lccn
2020951909
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Note
WorldCat record variable field(s) change: 655, 740
Other physical details
illustrations (some color)
System control number
(OCoLC)1233300502

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