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The Resource Danzón : circum-Caribbean dialogues in music and dance, Alejandro L. Madrid and Robin D. Moore

Danzón : circum-Caribbean dialogues in music and dance, Alejandro L. Madrid and Robin D. Moore

Creator
Contributor
Summary
Initially branching out of the European contradance tradition, the danzón first emerged as a distinct form of music and dance among black performers in nineteenth-century Cuba. By the early twentieth-century, it had exploded in popularity throughout the Gulf of Mexico and Caribbean basin. A fundamentally hybrid music and dance complex, it reflects the fusion of European and African elements and had a strong influence on the development of later Latin dance traditions as well as early jazz in New Orleans. Danzón: Circum-Caribbean Dialogues in Music and Dance studies the emergence, hemisphere-wide influence, and historical and contemporary significance of this music and dance phenomenon. Co-authors Alejandro L. Madrid and Robin D. Moore take an ethnomusicological, historical, and critical approach to the processes of appropriation of the danzón in new contexts, its changing meanings over time, and its relationship to other musical forms. Delving into its long history of controversial popularization, stylistic development, glorification, decay, and rebirth in a continuous transnational dialogue between Cuba and Mexico as well as New Orleans, the authors explore the production, consumption, and transformation of this Afro-diasporic performance complex in relation to global and local ideological discourses. By focusing on interactions across this entire region as well as specific local scenes, Madrid and Moore underscore the extent of cultural movement and exchange within the Americas during the late nineteenth and early twentieth-centuries, and are thereby able to analyze the danzón, the dance scenes it has generated, and the various discourses of identification surrounding it as elements in broader regional processes. Danzón is a significant addition to the literature on Latin American music, dance, and expressive culture; it is essential reading for scholars, students, and fans of this music alike.--Amazon.com
Language
eng
Work
Publication
Extent
xv, 279 pages
Contents
  • Danzón matters : mapping out the issues
  • Genre matters : danzón as a performance complex
  • Race, morality, and the circulation of danzón, 1870-1940
  • The danzón and musical dialogues with early jazz
  • Nostalgia, affect and performativity in contemporary danzón scenes
  • Cachondería, discipline, and danzón dancing
  • Danzón musings beyond the dance hall
Isbn
9780199965823
Instance
Label
Danzón : circum-Caribbean dialogues in music and dance
Title
Danzón
Title remainder
circum-Caribbean dialogues in music and dance
Statement of responsibility
Alejandro L. Madrid and Robin D. Moore
Creator
Contributor
Subject
Genre
Language
eng
Summary
Initially branching out of the European contradance tradition, the danzón first emerged as a distinct form of music and dance among black performers in nineteenth-century Cuba. By the early twentieth-century, it had exploded in popularity throughout the Gulf of Mexico and Caribbean basin. A fundamentally hybrid music and dance complex, it reflects the fusion of European and African elements and had a strong influence on the development of later Latin dance traditions as well as early jazz in New Orleans. Danzón: Circum-Caribbean Dialogues in Music and Dance studies the emergence, hemisphere-wide influence, and historical and contemporary significance of this music and dance phenomenon. Co-authors Alejandro L. Madrid and Robin D. Moore take an ethnomusicological, historical, and critical approach to the processes of appropriation of the danzón in new contexts, its changing meanings over time, and its relationship to other musical forms. Delving into its long history of controversial popularization, stylistic development, glorification, decay, and rebirth in a continuous transnational dialogue between Cuba and Mexico as well as New Orleans, the authors explore the production, consumption, and transformation of this Afro-diasporic performance complex in relation to global and local ideological discourses. By focusing on interactions across this entire region as well as specific local scenes, Madrid and Moore underscore the extent of cultural movement and exchange within the Americas during the late nineteenth and early twentieth-centuries, and are thereby able to analyze the danzón, the dance scenes it has generated, and the various discourses of identification surrounding it as elements in broader regional processes. Danzón is a significant addition to the literature on Latin American music, dance, and expressive culture; it is essential reading for scholars, students, and fans of this music alike.--Amazon.com
Member of
Is part of
Cataloging source
DLC
http://library.link/vocab/creatorName
Madrid, Alejandro L
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • bibliography
  • discographies
  • filmographies
http://library.link/vocab/relatedWorkOrContributorDate
1964-
http://library.link/vocab/relatedWorkOrContributorName
Moore, Robin D.
Series statement
Currents in Latin American and Iberian Music
http://library.link/vocab/subjectName
  • Danzones (Music)
  • Danzón (Musique)
  • Danzones (Music)
  • Danzón
  • Gesellschaftstanz
  • Kuba
  • Mexiko
  • Danse
  • Danse de société
Label
Danzón : circum-Caribbean dialogues in music and dance, Alejandro L. Madrid and Robin D. Moore
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages 251-267), discography (pages 267-269) , filmography (page 269) , and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Danzón matters : mapping out the issues -- Genre matters : danzón as a performance complex -- Race, morality, and the circulation of danzón, 1870-1940 -- The danzón and musical dialogues with early jazz -- Nostalgia, affect and performativity in contemporary danzón scenes -- Cachondería, discipline, and danzón dancing -- Danzón musings beyond the dance hall
Control code
828626848
Dimensions
24 cm
Extent
xv, 279 pages
Governing access note
King's username and password for off-campus access
Isbn
9780199965823
Lccn
2013006423
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Note
WorldCat record variable field(s) change: 650
Other control number
  • 40023016594
  • 2027/heb.32762
Other physical details
illustrations
System control number
(OCoLC)828626848
Label
Danzón : circum-Caribbean dialogues in music and dance, Alejandro L. Madrid and Robin D. Moore
Publication
Bibliography note
Includes bibliographical references (pages 251-267), discography (pages 267-269) , filmography (page 269) , and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Danzón matters : mapping out the issues -- Genre matters : danzón as a performance complex -- Race, morality, and the circulation of danzón, 1870-1940 -- The danzón and musical dialogues with early jazz -- Nostalgia, affect and performativity in contemporary danzón scenes -- Cachondería, discipline, and danzón dancing -- Danzón musings beyond the dance hall
Control code
828626848
Dimensions
24 cm
Extent
xv, 279 pages
Governing access note
King's username and password for off-campus access
Isbn
9780199965823
Lccn
2013006423
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Note
WorldCat record variable field(s) change: 650
Other control number
  • 40023016594
  • 2027/heb.32762
Other physical details
illustrations
System control number
(OCoLC)828626848

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