Portland Public Library

The death of Stalin, IFC Films and Gaumont present ; a France, United Kingdom, Belgium co-production ; a Quad and Main Journey production ; in co-production with Gaumont, France 3 Cinéma, La Compagnie Cinématographique, Panache Productions, AFPI ; with the participation of Canal+, Cine+, France Televisions ; original screenplay by Fabien Nury ; written by Armando Ianucci, David Schneider and Ian Martin ; additional material by Peter Fellows ; directed by Armando Iannucci ; produced by Yann Zenou, Laurent Zeitoun, Nicolas Duval Adassovsky, Kevin Loader

Type
Label
The death of Stalin, IFC Films and Gaumont present ; a France, United Kingdom, Belgium co-production ; a Quad and Main Journey production ; in co-production with Gaumont, France 3 Cinéma, La Compagnie Cinématographique, Panache Productions, AFPI ; with the participation of Canal+, Cine+, France Televisions ; original screenplay by Fabien Nury ; written by Armando Ianucci, David Schneider and Ian Martin ; additional material by Peter Fellows ; directed by Armando Iannucci ; produced by Yann Zenou, Laurent Zeitoun, Nicolas Duval Adassovsky, Kevin Loader
Language
eng
Characteristic
videorecording
Intended audience
MPAA rating: R; for language throughout, violence and some sexual references
Main title
The death of Stalin
Oclc number
1035568093
Responsibility statement
IFC Films and Gaumont present ; a France, United Kingdom, Belgium co-production ; a Quad and Main Journey production ; in co-production with Gaumont, France 3 Cinéma, La Compagnie Cinématographique, Panache Productions, AFPI ; with the participation of Canal+, Cine+, France Televisions ; original screenplay by Fabien Nury ; written by Armando Ianucci, David Schneider and Ian Martin ; additional material by Peter Fellows ; directed by Armando Iannucci ; produced by Yann Zenou, Laurent Zeitoun, Nicolas Duval Adassovsky, Kevin Loader
Runtime
107
Summary
When the tyrannical ruler Stalin dies, his hapless inner circle scrambles to come up with the next evolution of the revolution, but it's clear everyone is really out for themselves. Proof that comedy, like politics, is all in the execution
Target audience
adult
Technique
live action
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