Portland Public Library

Gothic music, the sounds of the uncanny, Isabella van Elferen

eng

Includes bibliographical references and index

index present

non fiction

Gothic music

bibliography

773015127

Isabella van Elferen

Gothic literary studies

the sounds of the uncanny

Gothic Music traces the sound of the Gothic from the eerie echoing footsteps that haunt gothic novels to the dark soundscapes that give contemporary goth nightclubs their dark atmosphere. This broad perspective enables Isabella van Elferen to widen the scope of gothic music which includes bands such as Christian Death, Bauhaus, The Damned, and The Sisters of Mercy from its roots in the contemporary goth subculture to manifestations in mainstream literature, film, television, and video games, while also offering a musical and theoretical definition of gothic music that is lacking in current scholarship. Bringing together versions of the Gothic in all media, van Elferen connects those to the subculture a historical and theoretical connection that has not been made previously in gothicist or goth scholarship. Whether giving voice to the spectral beings of early cinema, announcing virtual terrors in video games, or intensifying goth s nocturnal rituals, gothic music truly represents the sounds of the uncanny

Introduction: 'Baleful sounds and wild voices ignored' -- The sound of Gothic literature -- Gothic film music: the audiovisual uncanny -- Gothic television music: the unhomely home -- Gothic game music: hyperreality haunted -- Goth music: uncanny embodied -- The unthinkable sounds of the uncanny