Portland Public Library

Whitewalling, art, race & protest in 3 acts, Aruna D'Souza ; artwork by Parker Bright & Pastiche Lumumba

Label
Whitewalling, art, race & protest in 3 acts, Aruna D'Souza ; artwork by Parker Bright & Pastiche Lumumba
Language
eng
Bibliography note
Includes bibliographical references
Illustrations
illustrations
Index
no index present
Literary Form
non fiction
Main title
Whitewalling
Nature of contents
bibliography
Oclc number
1026350400
Responsibility statement
Aruna D'Souza ; artwork by Parker Bright & Pastiche Lumumba
Sub title
art, race & protest in 3 acts
Summary
"In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York's Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art's exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. Whitewalling: Art, Race & Protest in 3 Acts reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world--no less than the country at large--has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. Whitewalling takes a critical and intimate look at these three "acts" in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak?"--Publisher's description
Mapped to