Portland Public Library

What heaven looks like, comments on a strange wordless book, by James Elkins

Label
What heaven looks like, comments on a strange wordless book, by James Elkins
Language
eng
Bibliography note
Includes bibliographical references (pages 119-122) and index
Illustrations
illustrations
Index
index present
Literary Form
non fiction
Main title
What heaven looks like
Nature of contents
bibliography
Oclc number
999882471
Responsibility statement
by James Elkins
Sub title
comments on a strange wordless book
Summary
"Somewhere in Europe - we don't know where - around 1700. An artist is staring at something on the floor next to her worktable. It's just a log from the woodpile, stood on end. The soft, damp bark; the gently raised growth rings; the dark radial cracks - nothing could be more ordinary . But as the artist looks, and looks, colors begin to appear - shapes - even figures. She turns to a sheet of paper and begins to paint. Today this anonymous artist's masterpiece is preserved in the University of Glasgow Library. It is a manuscript in a plain brown binding, whose entire contents, beyond a cryptic title page, are fifty-two small, round watercolor paintings based on the vision she saw in the ends of firewood logs. This book reproduces the entire sequence of paintings in full color, together with a meditative commentary by the art historian James Elkins. Sometimes, Elkins writes, we can glimpse the artist's sources - Baroque religious art, genre painting, mythology, alchemical manuscripts, emblem books, optical effects. But always she distorts her images, mixes them together, leaves them incomplete - always she rejects familiar stories and clear-cut meanings. In this daring refusal to make sense, Elkins sees an uncannily modern attitude of doubt and skepticism; he draws a portrait of the artist as an irremediably lonely, amazingly independent soul, inhabiting a distinct historical moment between the faded Renaissance and the overconfident Enlightenment. What Heaven Looks Like is a rare event: an encounter between a truly perceptive historian of images, and master conjurer of them."--Front cover inside flap
Table Of Contents
Preface -- The book -- The title page -- Plates -- Postscript: Falls from faith in the seventeenth century -- Discussions on the internet -- For further reading -- Index
resource.variantTitle
A masterpiece of visionary art rediscoveredOpera magia naturalis
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