Portland Public Library

Slave songs of the Georgia Sea Islands, by Lydia Parrish ; music transcribed by Creighton Churchill and Robert MacGimsey ; introduction by Olin Downes

Label
Slave songs of the Georgia Sea Islands, by Lydia Parrish ; music transcribed by Creighton Churchill and Robert MacGimsey ; introduction by Olin Downes
Language
eng
resource.accompanyingMatter
bibliographyhistorical information
Bibliography note
Includes bibliographical references (pages 253-256)
Form of composition
folk music
Format of music
other
Literary text for sound recordings
not applicable
Main title
Slave songs of the Georgia Sea Islands
Oclc number
1471906
Responsibility statement
by Lydia Parrish ; music transcribed by Creighton Churchill and Robert MacGimsey ; introduction by Olin Downes
Summary
A valuable collection of folk music and lore from the Gullah culture, Slave Songs of the Georgia Sea Islands preserves the rich traditions of slave descendants on the barrier islands of Georgia by interweaving their music with descriptions of their language, religious and social customs, and material culture. Collected over a period of nearly twenty-five years by Lydia Parrish, the sixty folk songs and attendant lore included in this book are evidence of antebellum traditions kept alive in the relatively isolated coastal regions of Georgia. Over the years, Parrish won the confidence of many of the African-American singers, not only collecting their songs but also discovering other elements of traditional culture that formed the context of those songs. When it was first published in 1942, Slave Songs of the Georgia Sea Islands contained much material that had not previously appeared in print. The songs are grouped in categories, including African survival songs; shout songs; ring-play, dance, and fiddle songs; and religious and work songs. In additions to the lyrics and melodies, Slave Songs includes Lydia Parrish's explanatory notes, character sketches of her informants, anecdotes, and a striking portfolio of photographs
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